Next big canvas using the same stretcher as the first big painting I ever did – it feels small now compared to the bigger stretcher I have!
I am painted in new weather conditions here. I painted in windy, grey and stormy weather. I wanted to see how this new weather affects my colour palette and brushstrokes. Shots from where I painted:
Painting Process Thoughts
I had to paint this canvas in two sittings because I ran out of white paint in the first sitting! And I needed lots of white paint to fill in the grey sky.
Luckily for me the weather when I came back to the same spot the next day was very similar to the first day, so this wasn’t much of a problem.
My confidence is certainly growing with every one of these large canvases. With each new painting I add more layers of paint. I started with very thinned paint to block in big areas. The my paint marks get thicker with less turps on average. The I finish the painting with paint thinned with Liquin. This process has been working so far!
I finish with Liquin thinned paint because Liquin keeps the texture and opacity of the paint, but it makes the paint far more slippy, which means the marks I make don’t drag wet layers of paint underneath. I.e. it keeps the paint layers clean and from mixing too much.
Finished painting (before structure is added)
I think the windyness of the painting is translated onto the brushstokes. I like how many layers of paint there are, on asking a friend who knows nothing about my work he says the painting looks like a jungle scene which I liked the idea of! I like how it makes people play with shapes and ideas and brings out a playfulness (more on that in my small red sketchbook entry 16.03.19).
Reflecting and comparing the three big paintings I’ve done so far…
It’s exciting that each big painting that I’ve done so far looks so different depending on the weather conditions! Looking at them in my studio space you can really how different colour palettes, energy and textures (like rain drips or my finger marks holding the canvas from moving in the wind) add to a sense of the painting experience); this is an important part of my work! And it’s encouraging – although these paintings are so abstracted from the actual landscape, I am clearly receptive of the environment, otherwise there would be no different between the paintings that correlates with the weather.