Klint, H.af et al., 2005. 3 X abstraction : new methods of drawing by Hilma af Klint, Emma Kunz and Agnes Martin, New Haven, Conn. ; London: Yale University Press.
I wanted to read more about Kunz’s work since I realised how similar her drawings are to some cathedral architecture. Surprisingly the only book I could find on her in the library was this one, but it is actually very relevant to my work.
Chapter ‘Abstract’ by Catherine de Zegher
preceding the abstraction there is something from which the form has been drawn. While this something may be a concrete object in the phenomenological world, it could just as well be understood as the formation of an idea apart from any perceivable object in the phenomenological world.P.23
^ This is what the structures I make in drawing and sculpture are.
Abstract art can be envisaged as an oscillation between the imagined and the concrete… with both to draw from and to draw formP.23
Zegher goes on to say that the three artists in this book don’t approach abstraction ‘as a kind of formalism’, but as a way to structure ideas of philosophy, spiritual and scientific ideas. Kunz for example draws to connect ‘a cosmology of invisible forces’ – I love this idea!
These woman’s projects were aimed at summoning an ideality understood not only as a rational model of perfection but also as an emotional model of relinquishment… and responseP.24
Using drawing as a tool to elevate the mind. P.25
Their work was is inspired by an interest in nature and therefore human life.
A connection between the ‘physical phenomena and the spiritual universe’.
Using art as a bridge between the spiritual and the experimental makes sense to me. Abstracting things on a canvas that cannot be seen in the rest of life seems a way of capturing things that cannot be said with words. Things to consider in my work for sure. This is the kind of writing that I will read and only realise the total implications of it far from now! I wish I had more time in this project to read the book carefully, without a deadline fast approaching.