My new studio in Manchester doesn’t have wifi. I now see the studio as a practical space, somewhere I go to paint and try and test and make, and that feels lovely. The downside is that I’ve fallen out of the habit of writing as a way to think through what I’m working on. I…… Continue reading Current work in progress thoughts
Author: georginaharrisart
The past and the future in the act of making
As an artist, I think a lot about what I’m going to do; the actions I will take on materials. But what about where these materials, where I, am coming from? This is a change of perspective which shifts from thinking about the future to thinking about the past. Rather than considering ‘how will I…… Continue reading The past and the future in the act of making
A painting in progress
I’ve been working on this for 4 sittings spread over 7 days, which doesn’t seem that long really! I’m kind of struggling to know what to do with it next. It turns out not spacially orienting myself in the world of the painting before I start putting colour down leads down a winding, unclear, frustrating…… Continue reading A painting in progress
Painting a square study
I don’t think I’ve ever painted using a square surface before, and never for a plein air painting. I decided to use a tiny square board for a study quite randomly, and the results are interesting. As soon as I started painting in the spot I had picked, my focus was on describing visceral and…… Continue reading Painting a square study
Two new plein air paintings in a memory filled garden
I’ve done two small plein airs in my family’s garden, a place which I have intense memories in. I would spend 2 weeks here every summer as a child and then one week around christmas/new year. So although I haven’t spent lots and lots of time here, I have strong memories of those holidays; saturated…… Continue reading Two new plein air paintings in a memory filled garden
Subplots and animacy within a new painting
If I look at the landscape paintings I am doing, there are ‘subplots’ happening which the width of the painting allows for. Subplot means ‘a subordinate plot in a play, novel or similar work’. When discussing a painting I think the word can be applied. In this context subplots are narratives, things going on -…… Continue reading Subplots and animacy within a new painting
New painting
How can a painting be attached / detached from place? place | pleɪs | noun1 a particular position, point, or area in space; a location…2 a portion of space designated or available for or being used by someone: they hurried to their places at the table | Jackie had saved her a place. • a vacancy or available position…• the role played by or importance attached to someone or something in a particular context: the place of computers in improving office efficiency….3 a position in a sequence or series, typically one ordered on the basis of merit: his score left him in ninth place.Apple Dictionary I feel this is what I…… Continue reading New painting
I’ve got a podcast!
Don’t mind the Gap is a monthly podcast for the kind of conversations that fill a shared studio space, because we believe that sharing ideas fuels creativity. I co-run an artist collective with artist Nuria Rovira called The GAP Studio and in this podcast we dive into the space between our distinct art mediums. Expect…… Continue reading I’ve got a podcast!
Impressions of the paintings by Christina Quarles
https://www.christinaquarles.com/Paintings-1 Naked bodies that dance in and out of planes. Figures that sprawl and writhe under the loose eroticism of the body, undulating with sexuality and the grotesque. This is the body-pounding impression of the paintings and drawings by Christina Quarles. Each painting by the American born, Los Angeles based artist contains a tangle of…… Continue reading Impressions of the paintings by Christina Quarles
Nathan Coley: Tentative Words Change Everything
https://www.sussexmodern.org.uk/nathancoley/?utm_term=625988751321217b984afba7696547b0&utm_campaign=ArtWeekly&utm_source=esp&utm_medium=Email&CMP=artweekly_email A really interesting outdoor instillation series. The neon phrases positioned in the Sussex landscape are powerful yet nuanced; “They challenge us to look again at the world around us and – ultimately – at ourselves.” The neon signs cast a narrative over the landscape. They direct the viewers thoughts, they invite a deeper contemplation.…… Continue reading Nathan Coley: Tentative Words Change Everything
